Scientific Music Medicine

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THE HISTORICAL BACKGROUND OF MEDICAL RESONANCE THERAPY MUSIC®
Medi­cal Me­dia Group: In my opin­ion this is not a co­in­ci­dence, for the Jew, tra­di­tion­ally, is a great phi­loso­pher – this be­comes ob­vi­ous al­ready in his his­tory and in the en­tire prob­lem of Je­ru­sa­lem to­day. From Je­ru­sa­lem and Abraham’s de­scen­dants his­tori­cally three of the great world re­lig­ions emerged.

Peter Hübner: On the other hand the Jew and thus the Is­raeli, in my eyes, has on a broad scale the oth­er­wise ex­tremely rare talent of in­te­grat­ing great sci­en­tific cog­ni­tion with great ar­tis­tic per­form­ance at the same time.

With us, in Ger­many, sci­ence and art are al­most in no re­la­tion with each other and among the Jews we find both in­te­grated in per­fec­tion in in­di­vid­ual per­sons – and that, as said al­ready, in great num­ber.

From here also the envy of many peo­ple to­wards the Jews, within and with­out the Third Reich, can be un­der­stood.
There­fore I know by ex­peri­ence – who I also have to work sci­en­tifi­cally in the Mi­cro Mu­sic La­bo­ra­to­ries® and at the same time have to be ef­fi­cient in my ar­tis­tic per­form­ance while cre­at­ing Medi­cal Reso­nance Ther­apy Mu­sic® – that I can reckon on the most prac­ti­cal un­der­stand­ing from their side.

And so, in my eyes, it is not a co­in­ci­dence, but a clear state­ment of des­tiny, that my in­spi­ra­tion and the tri­um­phal march of this new branch of medi­cine – of digi­tal phar­ma­ceu­tics: of Medi­cal Reso­nance Ther­apy Mu­sic® – started in Is­rael, or more ex­actly: in Je­ru­sa­lem on the In­ter­na­tional Con­fer­ence for Pre- and Peri­na­tal Medi­cine.

Medi­cal Me­dia Group: And why, then, do you not go with the whole thing to Is­rael and make use of the ideal pos­si­bili­ties there of a wide sci­en­tific-ar­tis­tic un­der­stand­ing, but also of the great sci­en­tific-tech­ni­cal know-how there?

Peter Hübner: My friends and I thought about it al­ready. But the po­liti­cal dis­putes there keep us from do­ing it. Oth­er­wise we would per­haps have done it long ago.

Medi­cal Me­dia Group: And in Ger­many you do not find such rec­og­ni­tion like in Is­rael, in the states of the for­mer So­viet Un­ion and in USA?

Peter Hübner: One can­not put it like this. The rec­og­ni­tion in Ger­many is dif­fer­ent – as it is also dif­fer­ent in the al­ready men­tioned ar­eas of the for­mer So­viet Un­ion, of USA and Is­rael.


Prof. Dr. med.
Ray H. Rosenman
In a letter to Peter Hübner

Clinical cardiologist (one of the directors of the medical department of the Mount Zion Hospital in San Francisco and one the directors of the medical center of the University of California in San Francisco) and also a medical researcher.
In this capacity he was the director for cardiovascular research at the SRI International in Menlo Park, California (SRI is the former
Stanford Research Institute.)


Prof. Dr. Ilia Prigogine
In a public recommendation

Nobel Laureate for chemistry and director of the International Institute for Physics and Chemistry at the University of Brussels,
is considered to be one of the
leading scientific thinkers
of our present time.






Whereas it is easy for the Is­raelis to find ac­cess, due to their high sci­en­tific-ar­tis­tic talent, the nu­clear dis­as­ter of Cher­nobyl forces the phy­si­cians and sci­en­tists there to act ef­fec­tively and thus to make use of digi­tal phar­ma­ceu­tics.

And with them I have made the ex­peri­ence that their driv­ing force is par­ticu­larly the as­pect of hu­maneness: of pure hu­man­ity: the readi­ness and firm will of the phy­si­cians to help those who were hit by the dis­as­ter and spe­cially to help the chil­dren – by all means and un­der all cir­cum­stances.

Medi­cal Me­dia Group: And in the USA?

Peter Hübner: There I find among the phy­si­cians and sci­en­tists in­ter­ested in this new branch of medi­cine mainly per­sons of Jewish ori­gin – which means, again per­sons with an ex­cel­lent talent in the ar­tis­tic field and in the field of sci­ence as well.

It is cer­tainly no co­in­ci­dence that Albert Einstein, for in­stance, se­ri­ously prac­ticed play­ing vio­lin.

It is re­ported that he once came with his vio­lin to his phys­ics lec­ture at the uni­ver­sity, unpacked the in­stru­ment and played in front of his stu­dents in the lec­ture hall. Af­ter that he packed the vio­lin in again, said “That was it.” and went.

When I came to know Prof. Prigog­ine, I ac­com­panied some of my friends who were sci­en­tists and had an appointment with him. Af­ter he heard that I was a com­poser in the field of clas­si­cal mu­sic, he, who him­self prac­ticed play­ing mu­sic, al­most ex­clu­sively talked to me and only about mu­sic, which an­noyed my sci­en­tific friends – a re­ac­tion they thought to be logi­cal, but which he could not un­der­stand at all.

This, ac­tu­ally, was the dif­fer­ence be­tween a sci­en­tist and art­ist rolled into one, the dif­fer­ence be­tween some­one, who was striv­ing for uni­ver­sal­ity and in this case even was a Nobel Lau­re­ate – like Einstein too –, and young sci­en­tists, who still sought for their sal­va­tion in dif­fer­en­tia­tion only.

Medi­cal Me­dia Group: In Ger­many more the sepa­ra­tion of art and sci­ence pre­vails.

Peter Hübner: Un­for­tu­nately! In my opin­ion the rea­son for this is par­ticu­larly, that the Ger­man Jews, gifted with both, were driven out or mur­dered in the Third Reich and there­fore their achieve­ments and ef­fi­ciency is miss­ing in Ger­many to­day. And a sec­ond rea­son is the fact, that the peo­ple of­fi­cially lead­ing in­sti­tu­tion­al­ized mu­sic life in Ger­many are not tal­ented in mu­sic and thus are also not able to forge links be­tween mu­sic and sci­ence.