Our European history of music marks the way of intuitive research of the microcosm of music through our great classical sound creators.
This tradition was interrupted with the creation of twelve-tone music, and is today continued by the classical sound creator Peter Hübner.

Particularly in today's music, we must learn again to realise the democratic interplay of many rhythms. The natural microcosm of music does not know a rhythmical fixation or dictatorship of a certain nature – as, by the way, neither does the whole of nature.

Not even within an atom there seems to be structurally any kind of rhythmical dominance, but the influences of the individual oscillations seem to be continuously changing.

And if, for instance, every single of our human organs has its very own, but changeable rhythm – of which today's medical science has already recognised hundreds of different, changing basic rhythms – one still cannot talk of the rhythmical dominance of one of our organs compared to an other one, but in fast alternating change, sometimes this one, then the other one has the rhythmical dynamic upperhand.

“ ‘Natu­ral’ mu­sic is mu­sic cre­ated in­tui­tively ori­ented to­wards na­ture and in ac­cor­dance with the laws of na­ture – mu­sic which origi­nates in the com­poser and ac­cord­ingly in the in­ter­preter in unison with the laws of har­mony and na­ture: com­pletely play­fully and with­out any effort what­so­ever.”