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THEORETICAL FUNDAMENTALS

Nature’s Laws of
Harmony in the
Microcosm of Music

MUSIC + BRAIN
Part 1   •   Part 2

Chronomedicine

Music as a Harmonic
Medical Data Carrier

The Special Status of the
Ear in the Organism

The Ear as a
Medical Instrument

The Significance of the
Soul to Medicine

The Significance of
our Consciousness
to Medicine

The Significance of the
Soul to Human Evolution

The Future of Pharmaceutics






Peter Hübner - Micro Music Laboratories
Page  1 2 3 4 5 6 7
Peter Hübner – The Future of Pharmaceutics


Prof. Dr. Rudolf Haase

renowned author founder of the Hans Kayser Institute for Fundamental Harmonical Research at the UNIVERSITY FOR MUSIC &
PORTRAYED ART
in Vienna – the most eminent
music university in the world

In a letter to Peter Hübner:

“For many years I have been playing your composition ‘The Song of Life’ to my students, a significant example of that, and how harmonical fundamentals derived by nature can be used as a basis for composition today.

My ‘Fundamental Harmonical Research’ is part of the music therapy course and of the curriculum in 5 departments (faculties) at the University of Music in Vienna, which with around 3000 students and 400 lecturers, is the largest in the world.

I am particularly interested in your ‘Music and Health’ project… actually the objective of my career at the University of Music in Vienna focused on providing a scientific basis for the music therapy education introduced in Vienna.

You will now have a better understanding of why I am interested in your project: the possibility of a cooperation with my Institute exists. In any event, I can at only provide encouragement for your project and would be delighted to see it supported from as many angles as possible.

Given my 25 years experience. I can really encourage you to realise similar efforts … in your planned music faculty and would be happy to provide any advice in this respect.“


Mu­sic & Na­ture: And phar­ma­ceu­tics does not achieve this to­day?

Peter Hübner: No, not only does it fail to achieve this, it has never so far strived to achieve it – proba­bly does not con­sider it fea­si­ble. I am there­fore con­tinu­ously try­ing to take these ideas to this ma­jor, vi­tal sec­tor of in­dus­try.

Mu­sic & Na­ture: But still pre­suma­bly with­out suc­cess.

Peter Hübner: Yes, so far with­out suc­cess. But now the pic­ture has changed. For I have outstripped phar­ma­ceu­tics and its prod­ucts, with my own mu­si­cal prod­ucts in some medi­cal ar­eas. I have achieved this in two ways: firstly, our medi­cal mu­sic prepa­ra­tions are in many cases stronger than phar­ma­ceu­ti­cal ones, sec­ondly, due to their har­monic struc­ture, they pro­duce no un­wanted side ef­fects at all and thirdly – I had al­most for­got­ten this point – pro­vi­sion and use of medi­cal mu­sic prepa­ra­tions is cheaper and also far more pleas­ant for pa­tients to use.

Mu­sic & Na­ture: Must the top peo­ple in phar­ma­ceu­tics fi­nally wake up and be­come more aware of the great com­pe­ti­tion?

Peter Hübner: Yes, they have to and so they should, be­cause af­ter all, I owe to this in­dus­try an im­por­tant part of our own medi­cal con­cept: the sci­en­tific ob­jec­tive pro­ce­dure and the pos­si­bil­ity of com­parison tests. And pre­vious in­ves­ti­ga­tions have shown that in many cases, at least up to now, peo­ple still also wish to use phar­ma­ceu­ti­cal prod­ucts at the same time.

This means then that our mu­sic prepa­ra­tions and phar­ma­ceu­ti­cal prod­ucts are used in par­al­lel by many spe­cial­ists, to achieve the op­ti­mum de­sired ef­fect. Medi­cal Reso­nance Ther­apy Mu­sic® is also often par­ticu­larly ef­fec­tive in af­ter-treat­ment, e.g. where un­wanted side ef­fects from phar­ma­ceu­ti­cal prod­ucts have to be re­duced or elimi­nated within a fore­see­able pe­riod. So, for the spe­cial­ists, many options exist for in­tel­li­gent use of phar­ma­ceu­ti­cal prod­ucts and Medi­cal Reso­nance Ther­apy in par­al­lel.

Mu­sic & Na­ture: But there are also quite a few cases where the phar­ma­ceu­ti­cal prod­uct has been re­placed by Medi­cal Reso­nance Ther­apy Mu­sic®.

Peter Hübner: Yes, I have heard this heard from sev­eral spe­cial­ists, and this situa­tion con­cerns the very prod­ucts, which pro­vide the great­est sales for the phar­ma­ceu­ti­cals in­dus­try. For this rea­son, to se­cure its fu­ture, the in­dus­try must look to­wards a con­ver­gence or even a re­la­tion­ship with us, if only for eco­nomic rea­sons.

Mu­sic & Na­ture: So, does that mean you want to merge with phar­ma­ceu­tics?

Peter Hübner: I be­lieve that phar­ma­ceu­tics is still the guar­an­tor for an ob­jec­tive, sci­en­tific pro­ce­dure for medi­cal ser­vices; i.e. the fun­da­men­tals of phar­ma­ceu­tics are my, or our natu­ral part­ner. It is my view that the con­ven­tional phar­ma­ceu­ti­cal con­cept sim­ply re­quires a ba­sic ex­pan­sion. It is about the natu­ral struc­tur­ing and crea­tion of the medi­cal prod­uct – in­clud­ing the phar­ma­ceu­ti­cal.

Mu­sic & Na­ture: What should I un­der­stand by the natu­ral crea­tion of a phar­ma­ceu­ti­cal prod­uct”?

Peter Hübner: Can I ex­plain this with an ex­ample: If I am on a plat­form wait­ing for a train, I wait un­til the train stops, get on, sit down and the train de­parts. This proc­ess ap­pears com­pletely nor­mal to us all. In fact it is. But this is not the case in con­ven­tional phar­ma­ceu­tics; it sim­ply brings pas­sen­ger and train to­gether – with­out re­gard for the re­spec­tive speeds of the two; it pro­duces and pre­scribes its prod­ucts in such a way that in some cases, the pas­sen­ger has to jump onto a train rush­ing through the sta­tion and in do­ing so, can sus­tain a va­ri­ety of spe­cial in­ju­ries. These in­ju­ries are the un­wanted side ef­fects of phar­ma­ceu­ti­cal prod­ucts.
The har­monic method is based on har­mo­nis­ing space and time – in com­pari­son with the train ex­ample: match­ing the re­spec­tive speeds of pas­sen­ger and train to ensure safe em­bar­ka­tion. This struc­tural match­ing of space and time of prod­ucts to the sin­gle pa­tient is a com­pletely new con­cept for phar­ma­ceu­tics but such mod­ern ideas and dy­namic con­cepts can­not be avoided if pa­tients are to be treated in a natu­ral way.
The only other option is the pure em­piri­cal escape into the har­moni­cally struc­tured prod­ucts of na­ture it­self – that is the use of natu­ral plant ex­tracts.

In vari­ous dif­fer­ent cul­tures and par­ticu­larly in the jun­gles of Mexico and South Amer­ica, phar­ma­ceu­tics has al­ready started to search for spe­cial con­cepts from na­ture and medi­cos and to ex­am­ine them for their po­ten­tial heal­ing prop­er­ties. This pro­ce­dure was born from a tech­ni­cal in­abil­ity to look at the phe­nome­non of how the natu­ral is struc­tured.
The win­ners of this lot­tery-like strat­egy will be those who ul­ti­mately rec­og­nise the natu­ral unity of all the struc­tur­ally re­searched prod­ucts of na­ture, which they all have in com­mon – this is the prin­ci­ple of har­mony, the har­monic laws of na­ture.
As we know, the mi­cro­cosm of mu­sic is the mas­ter of knowl­edge for the har­monic laws of na­ture. For this rea­son, the re­sear­cher in this area is al­ways way ahead of re­search­ers in other ar­eas of na­ture. This is not be­cause he is natu­rally more in­tel­li­gent than oth­ers, but be­cause by choos­ing the har­monic, he has cho­sen the best area of re­search.

Kepler dis­cov­ered that with­out the laws of har­mony, there is no or­dered, dy­namic galaxy.
Mod­ern chrono-bi­olo­gists have dem­on­strated that hu­man health al­ways breaks down when the natu­ral har­monic or­der of the bio­logi­cal sys­tem is dis­turbed.

And even the ex­is­tence of the natu­ral struc­ture of chemi­cal ele­ments sim­ply proves the power of the natu­ral laws of har­mony. For phar­ma­ceu­tics, this means that it has to re­late to the har­monic or­der which un­der­lies the struc­ture of chemi­cal ele­ments to the har­monic or­der of the bio­logi­cal sys­tem and has to ap­ply it to the sys­tem and must make it in­te­grable to it; this means that phar­ma­ceu­ti­cal prod­ucts must be struc­tured in such way that they, in them­selves are struc­tured har­moni­cally, and fur­ther­more must re­late har­moni­cally to the natu­ral har­monic or­der of liv­ing or­gan­isms.

In­ci­den­tally, this is not my idea but was claimed some 2500 years ago by the great phi­loso­pher, mathe­ma­ti­cian, mu­si­colo­gist and doc­tor Pythagoras, the ac­cepted foun­der of our sci­en­tific age.


>>
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MEDICAL RESONANCE THERAPY MUSIC®
Medical Music Preparations on CD
 
RRR 101 Vital Energy
Vital Energy


RRR 102 Harmony
Harmony


RRR 103 Hormone & Immune System
Disorders of the
Hormone & Immune System


RRR 105 Gynecological Disorders
Gynecological Disorders

RRR 106 Sleep Disordes
Sleep Disorders

RRR 128 Concentration / Memory
Concentration / Memory

RRR 133 Headache / Migraine
Headache / Migraine


RRR 921 Courage to Face Life
Courage to Face Life

RRR 931Relaxation
Relaxation
RRR 932 General Stress Symptoms
General Stress Symptoms

RRR 933 Neurodermatitis / Psoriasis
Neurodermatitis / Psoriasis

RRR 940 Cardiac & Circulatory Disorders
Cardiac &
Circulatory Disorders



RRR 934 Pregnancy & Birth
Pregnancy & Birth

RRR 935 Creativity
Creativity

RRR 942 Mother & Child
Mother & Child

RRR 943 Pains / Post-operative Pains
Pains / Postoperative Pains

RRR 951 Mental Distress / Fear
Mental Distress / Fear

RRR 941 Neurophysiological & Sensory Disorders
Neurophysiological &
Sensory Disorders
   
   

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